The Community page is an ever-growing space for sharing and engagement. Here you will find all kinds of art & ecology related resources as well as links to Art & Ecology student's eco-art practices beyond the classroom.

Have resources to share? Send them to our email: art.ecology.wwu@gmail.com

Course Readings & Projects

Abram, David, “The Spell of the Sensuous : Perception and Language in a More-than-Human World,” New York, Pantheon Books, 1996

Andreotti, Vanessa de Oliveira, “Torpor and Awakening,” lecture, Indigenous Scholars Conference: Indigenous Epistemologies: Re-Visioning Reconciliation, 2015, University of Alberta 

Ballengée, Brandon, “The Art, Science, and Environmentalism of Deformed Amphibian Research,” 2015

Carruthers, Beth, “Praxis: Acting as if Everything Matters,” 2006

Darwin, Charles, “Galapagos Archipelago” and “Tahiti and New Zealand,” in Voyage of the Beagle, London and New York: JM Dent & Sons, Ltd. and EP Dutton & Co, Inc., 1906.

Dillard, Annie. “Book 1: Fishburns.” The Living, HarperCollins, New York, 1992, pp. 3–27.

Hamilton, Ann, The Common Sense, Seattle, WA: Henry Art Gallery, 2014-15

Haraway, Donna, “Symbiogenesis,” in Bubant, N., Gan, E., Swanson, H., Tsing, A., ed., Arts of Living on a Damaged Planet, Minneapolis: University of Minnesota Press, 2017

Helguera, Pablo . Education for Socially Engaged Art . Jorge Pinto Books, 2011.

Hellicon Collaborative, “Farther, Faster, Together,” ArtPlace America LLC, 2018 

Kimmerer, Robin Wall, Braiding Sweetgrass, Minneapolis: Milkweed Editions, 2013.

Lacy, Suzanne, and Lucy R. Lippard. “Looking Around: Where We Are, Where We Could Be.” Mapping the Terrain: New Genre Public Art, Bay Press, Seattle, 1996, pp. 114–130.

Lacy, Suzanne, and Suzi Gablik. “Connective Aesthetics: Art After Individualism.” Mapping the Terrain: New Genre Public Art, Bay Press, Seattle, 1996, pp. 74–87.

Matilsky, Barbara, Endangered Species: Artists on the Front Line of Biodiversity, Bellingham, WA: Whatcom Museum, 2018.

Pearson, K.R., Backman, M. Grenni, S., Moriggi, A., Pisters, S. Vrieze de, A., “Arts-Based Methods for Transformative Engagement: A Toolkit,” Wageningen: SUSPLACE, 2018.

SongBird – Arts & Ecology In Practice, Beth Carruthers, 1998-2002

Thoreau, Henry David. “The Open Winter XXV.” The Journal of Thoreau, vol. 10.

Yates Mckee; Wake, Vestige, Survival: Sustainability and the Politics of the Trace in Allora and Calzadilla’s Land MarkOctober 2010; (133): 20–48.

Media:

Allora & Calzadilla (in collaboration with Ted Chiang):The Great Silence (2014) (16:32) – HD video with sound

Art in the Twenty-First Century: Allora & Calzadilla in “Paradox” (2007) (54:25) – Art21 

Bernie Krause: The Voice of the natural world (2013) (14:38) – TED Talk

Decolonial Futures Collective: The house of modernity (2020) (36:00) – YouTube

Huggins, Adam, and Mendel Skulski. “Decolonize This Podcast”. Future Ecologies, 17 Jul. 2018. Season 1, Episode 1. 

Huggins, Adam, and Mendel Skulski. “Communia Omnia”. Future Ecologies, 9 Oct. 2019. Season 2, Episode 3. 

Huggins, Adam, and Mendel Skulski. “The Nature of Sound”. Future Ecologies, 11 Dec. 2019. Season 2, Episode 5. 

Nancy Turner: Indigenous Knowledge in a Changing Climate (2020) (53:29) – Huxley Speaker Series

Natalie Jeremijenko: The art of the eco-mindshift (2009) (19:35) – TED Talk  

New York Close Up: Mary Mattingly’s Waterfront Development (2014) (8:05) – Art21

Racing Extinction (Psihoyos, 2015) – Documentary 

Vaughan Judge: Art and sustainable ecology and economics (2019) (14:24) – TED Talk

United Visual Artists: The Great Animal Orchestra (2019) (3:30) – Vimeo 

Books & Articles:

Brown, Andrew. Art & Ecology Now (London: Thames & Hudson, 2014)

Carruthers, B. Art, Place and the Meaning of Home: Commissioned Essay for the Stanley Park Environmental Art Project. Vancouver Board of Parks, Arts & Culture. (2010).

Carruthers, B. Cartographies sans Bornes (Maps without Borders). In S. Kirkvold, S. (Ed.) Canada’s Raincoast at Risk: Art for an Oil Free Coast. Sydney: Raincoast Conservation (2012).

Carruthers, B. Possible Worlds. In E. Monoion & R. Ferry, Public Art of the Sustainable City: The Land Art Generator UAE / 2010 (16-19). Hong Kong: Page One. (2012).

Carruthers, B. Always Coming Home: Pioneering Ecological Social Sculpture and Sci-Arts Collaboration in Canada. In The Goose (Journal of the Association for Literature, Environment, and Culture in Canada). 12/13 2013, 56-62 (2013).

Carruthers, B. A Subtle Activism of the Heart. In L. Piper & L. Szabo-Jones (Eds.) Sustaining the West: Cultural Responses to Canadian Environments (65- 78). Waterloo: Wilfrid Laurier University Press. (2015).

Demos, TJ. Decolonizing Nature: Contemporary Art and the Politics of Ecology (Berlin: Sternberg Press, 2016) 

Matilsky, Barbara C. Fragile Ecologies: Contemporary Artists Interpretations and Solutions. New York: Rizzoli International, 1992.

Matilsky, Barbara, “Art and Ecology: The Museum as Activist”, MUSEUM NEWS, March- April, 1992

Matilsky, Barbara, “The Survival of Culture and Nature: Perspectives on the History of Environmental Art”, ART AND DESIGN, Profile Number 36, Art and the Natural Environment, London, 1994

Weintraub, Linda with Skip Schuckmann. Avant-Guardians: Texlets on Ecology and Art. Rhinebeck, New York: Artnow Publications, 2006: Cycle-Logic Art: Recycling Matters for Eco Art; Environmentalities: Twenty-two Approaches to Eco Art; ECOcentric Topics: Pioneering Themes in Eco Art

Weintraub, Linda with Skip Schuckmann. Avant-Guardians: Texlets on Ecology and
Art. Rhinebeck, New York: Artnow Publications, 2006.

Weintraub, Linda, TO LIFE! Eco Art in Pursuit of a Sustainable Planet, Berkeley: University of California Press, 2012

Weintraub, Linda, WHAT’s NEXT? Eco Materialism & Contemporary Art, Bristol: Intellect Books, 2018

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I wonder if humans will ever collectively be able to accept radical tenderness and find that visceral feeling inside themselves. I wonder if humankind will ever be able to accept the unknowable as something unattainable rather than the quest for knowledge.

Art & Ecology Student Adalyn Allen, Fall 2018

What does relating beyond knowledge, identity, and understanding look like – in the world and in myself?

Art & Ecology Student Erika Mazza-Smith, Fall 2018
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This website is made possible by the support of WWU’s Sustainability, Equity, & Justice Fund.
Art & Ecology course developed by Professor Cynthia Camlin.
Website designed by Mouse Bird Studios & edited by Emma Parkinson. © 2020