The short film, “The Kids Are Alright”, documents the efforts of Mike Ervin and Jerry’s Orphans to stop the Jerry Lewis MDA Labor Day Telethon, the pinnacle of a pity fest in the eyes of the Orphans. Throughout the film, Ervin gives first hand accounts of the protest efforts starting in 1991 to take the annual telethon off the air and address the ill-intentions of the Muscular Dystorphy Association (MDA). Jerry’s Orphans is a disability rights group founded by Mike Ervin and his family to oppose the use of pity in MDA National Telethon. Mike Ervin was one of Jerry’s kids in his childhood, and believes it is important to address a one-sided narrative in which those with MD live suffering. Throughout the film he shares his perspective as a person with MD and on the harm that the MDA’s pity campaign inflicts upon the MD community.
“The Kids Are Alright” is a thought provoking film, earning three out of five stars. The message is left open-end in many instances but not in an intentional way. This over all began to undermine Mike’s message as it made it apparent the perspective shown was more subjective than objective in some instances. Mike’s message still stands clear and proud at the end of the film. However, There is a point in the film where two sides of the same coin were shown clashing. This is where the film falters, showing both sides are appealing to the audience’s emotions. As a viewer, challenge yourself to consider both sides.
Jerry’s Orphans demonstrated a respectable dedication to their cause, turning up to the Broadcast center every year for a sit in. The protest shown and discussed were largely ineffective even when reaching a national audience consistently. This was odd considering, the efforts of Jerry’s Orphan were exemplary non-violent protests. Towards the second half the film the root of this issue was explored. There seems to have been a visceral reaction to the protests. This is never directly examined. Ervin states during the film that he believes a loss the MDA would be the Orphans’ message being out there at all. This is not an unusual sentiment amongst activists in any way. Eventually, someone will listen and join the fight.
I hear you saying that while the basic premise of the film is clear–the MDA should be exposed as a negative force–the film’s focus on Mike Ervin’s specific experience limits the potential of the work. Do I have that right? There is a real disappointment in the film, for sure, that the efforts don’t seem to be successful. There is definitely a more effective film to be made about this movement, with a clearer historical arc and multiple perspectives.