To begin “Crip Camp”, the viewers are introduced to a cast of colorful people all who attended or worked at Camp Jened. The cast is comprised mostly of people with disabilities so they offer a rarely seen view on the 1960s and 1970s. Each cast member gives their accounts of their time at the camp, not at camp and how it impacted their views on life. The film transitions to focus on the campers’ life after the camp, in particular the community they had become for each other. Many of the campers were in the frontlines the Disability rights movements allowing the viewer to get a more in-depth view of the protests for the enforcement of the Architectural Barriers Act. A while providing examples of why it was necessary. The film provides context and details for a not necessarily informed audience well, making it a good introduction to the disability rights movement. The use of personal narratives allows more complex issues for the disabled community, such as access, independence, and sexuality, to be shown in way that person with no background knowledge in disability studies can digest. “Crip Camp” is a great guiding piece when introducing the fight for Disability rights to a new audience. It hooks the viewer with personal details, sometimes employing nostalgia to invest the viewer but the film does not rely too heavily on this tactic. It remains relatable to both a younger and older demographic, making perfect to introduce disability studies to older teenagers.
The films central message discusses how inclusion and exclusion affect the lives of disabled people. The start of the film is sets up view of the campers’ lives in a place where they felt included, where they had access to live life. One camper is makes a remark about never being sidelined at Camp Jened, relating to a broader aspect of access,” linked to a more inclusive society with greater opportunities for social and political participation (pp.15),” as put by Bess Williamson in Keywords for Disability Studies. Williamson asserts that the issue of access has two distinct facets that occasionally limit each other, one the access to be a citizen, to be a person and the other to have the ability to enter and move about a space(pg.14-15). The films central conflict the occupation of the San Francisco federal offices, Highlights the fact that physical access allows people to access their citizenship and personhood, but first they need to be seen as person by those limiting their access. The film overcomes this barrier easily by displaying the person first then calling for better access.
The film is most suited for an audience who has passed their late teen or is actively in their late teens. There are a couple points in the film that would need to be skipped due to graphic language, but for the most part they are not central scenes to main conflict of the film, they are just a couple of many scenes humanizing the campers. Due to nature of film’s topic a certain level of maturity and care is needed in the audience to get the full extent of the film’s message. That being said, for people to grow into this film’s ideal audience, showing them “Crip Camp” and discussing it with them is great step to take. I do urge any teachers thinking of showing “Crip Camp” to consider their classes and what type of discussion would be the most productive for their class. “Crip Camp” is a film with layers and certain groups may attach to one layer over the others, so any discussion or viewing should not be structured like a one size fits all. Also some background information on the ADA, ABA and early disability rights movements may be necessary to contextualize parts of the film. 4/5
referenced sources:
Willianson,Beth, “Access” ,Keywords for Disability Studies. Edited by Adams, R.Serlin, D., & Serlin, D. H. (2015). NYU Press. pp.14-17