Nurturing Black Disabled Joy -RAB response

A short essay into the personal experience of Keah Brown, a black woman with cerebral palsy. She talks about feeling joy and happiness as a black person with disabilities. She explains a little about her personal life, having written a book about her personal experiances, called “The Pretty One: On Life, Pop Culture, Disability, and Other Reasons to Fall in Love with Me” as well as being a progenitor of the hashtag #DisabledAndCute in 2017. She points out that she chooses to be happy as a disabled person. She wants to be remembered and noticed for the joy that she left in this world.

Quotation:

“Embracing my own joy now means that I didn’t always.” -Pg. 117

“I wondered why this positive message would elicit such negative reactions, and I could come up with only one reason: these readers, both disabled and not, reacted defensively because they’re not centered in my story – because I’m calling for inclusion that decenters whiteness” -Pg. 118

“Calling out ableism, racism, and homophobia in marginalized communities through my writing. It means that I’ve literally stopped apologizing for the space I take up on stages or in the airport.” -Pg. 118-119

Reflections:

While I can appreciate the sentiment that she is trying to make, there’s some things in this essay that kind of got to me. One is her idea that people are uncomfortable with her being a happy disabled person because she is black. Why should that be a problem? There are plenty of black people with disabilities – I know a few personally. And then she talks about how black people are represented in the media. I’m generally one who doesn’t care about representation in the media. Since when has media been an accurate reflection of human life? It gives the whole essay a narcissistic tone that is difficult for me to enjoy or ignore. Even so, I’m glad Keah Brown was able to share her thoughts – it’s obviously making a difference in the lives of many disabled people, and I can appreciate that.

Major Project Proposal: The Beauty of Disabled Gods

  1. Title:
    Disabled Gods of the Modern Age
    Why aren’t there more disabled gods in mythologies around the globe? Why are many of the ones who do exist disabled because of violence committed against them? I propose a series of paintings featuring possible new disabled gods fit to be worshipped by the modern person who values the disabled community and the power of the people within it.

  2. Central Question:
    Through this series of paintings, I want to explore how disabled people are represented in various religious traditions by features some well known ones including Greek god Hephaestus, Egyptian god Bes, and the Hindu god Aruna. However to supplement these existing gods, I will make up gods of all races, sexualities, genders, sizes, ages, and disabilities. Through working on this project I hope to better understand how media representation influences our culture’s view on disabled people, taking care to make their godly domains and powers influenced by their relationships with their disabilities in ways that highlight the beauty of their disability. My aim is to be respectful of existing polytheistic religions while simultaneously recognizing a lack of deities in world religions that have disabilities, due to the widespread levels of hostility towards disabled people throughout the world.

  3. Production Design:
    My collection of paintings will be in a quasi-zine format in the sense that they will all be bound together in a booklet. I’m not sure about the sizes of the paintings but my projection is that they will be around 6 inches by 9 inches each. When the booklet is opened, on the left side there will be an in depth description of the god as well as quotes and analyses taken from some of the readings we’ve consumed in this class. On the right side will be the painting so the viewer can reference the information on the left as they view the image. Ideally, I will make ten different paintings, some being real gods from world religions, and others being the ones I have invented. The beginning few pages I will introduce the concept of the piece, how it is influenced by disability studies, and what I hope to achieve with its creation.

  4. Production Plan:
    My first course of action will be deciding which disabilities these gods will have, how best to represent them in a respectful manner as well their other intersecting identities after researching their specific disability. I will decide how to represent any prosthetics or tools they use such as wheelchairs, canes, and other equipment. Next I will decide upon their names and domains of power. I will collect images off of the internet for inspiration concerning the aesthetics of each god as well as how to visually represent their disability based on the real people with the disability. I may take inspiration from some of the stories featured in the book Disability Visibility while making sure to give those writers credit.

    -By November 13th, I will have the general information on each god solidified and a general structure for the presentation of my research.
    -By November 20th, I will have done at least one rough draft of each of the paintings.
    -By December 4th, I will have all of the final drafts of the paintings completed as well as my writing done.
    -By December 8th, I will have the booklet put together and the finishing touches done.

  5. Consultation:
    My biggest concern with this project is the possibility of accidentally representing any of the disabilities I choose to feature poorly, and so I would love to check in with you on my ideas for each one once I have them, to make sure I’m being respectful. My goal and intent will be to use person/god first language as well as with the way they are depicted because the last thing I want is for them to look like a fantasy-world versions of medical images. I worry that the premise of this project might be skewed by my perspective as a non-physically disabled person, and so if you have any concerns with any part of this project I would love to go over them. My proposed project is very art-based, and less research-based focused mainly to inform my choices in the production of the pieces, so if the level of research I plan to do at any point seem subpar, I want to supplement it to the best of my ability using the readings we’ve gone over in class as well as outside readings I’ve found on my own. I can also have a conclusion section at the end of the booklet where I go into more depth on the research that informed the project if you think that would be beneficial.

  6. Citations:
    A few possible readings that may influence my project:

https://www.greekmythology.com/Myths/Figures/Teiresias/teiresias.html

Disabled Gods: A Critical Disability Studies Analysis of Ancient Greek Myths (umsl.edu)

What is Metis? | Dolmage | Disability Studies Quarterly (dsq-sds.org)

Exploring Different Bodyminds in Different Contexts

Navigating Disability Studies So Far: 

The field of disability studies is one that embraces intersectionality. Given the vast reach the field has and its roots in theory-based work, I cannot promise a precise definition, but I believe that it does not require one. One small example being the tie between disability studies and queer studies. Author Tim Dean summarizes it best in the claim that “What the field of queer studies shares most fundamentally with disability studies is a critique of the effects of normalization on embodiment, desire, and access” (Dean 144). It seems to hold core concepts and values that are apparent to anyone, that is what I would like to focus on. Disability studies is first and foremost representative of all communities, of all identities. This idea brings us to what is known as intersectionality. Since disability studies typically recognize the disability community as a rich culture itself, it is sure to include and explore identities within whether it be race, sexuality, gender and more. That is to say that the discipline highlights different bodyminds from different backgrounds. Secondly, I find representation being another key component tied into intersectionality. What I enjoy most about the study in my early introduction to it is the inclusion of mental health as well. While some may want to argue that a mental health survivor is/isn’t disabled, the discipline and those in it are not concerned with that. Terms and definitions can be extremely helpful when they are not being used to identify others in the upkeep of normalization and seclusion. The discipline represents a space for empowerment and encouragement through the critiques described by Dean. This unique study lends itself well to challenging the status quo and engaging audiences regardless of their knowledge on the subject.  

What Is Still to be Explored: 

There are still numerous unanswered questions I have about this subject, which is expected considering my novice status. I think where my interests lie is learning in more detail how ableism functions, how it’s upheld both implicitly and explicitly. While it has been mentioned and described, I think it just left me wanting to learn more. In addition to that, I want to know what solutions are being tried out or exist in response to ableism and the harm it creates. I think a history type lesson might help here. I would love to be taught about the past, present, and future of disability studies given I still don’t exactly understand how it came about. For anyone else learning about it, I think that approach answers why it is important that disability studies exists in the first place.  

Disability in Relationships 

Relationships in this context includes romantic, sexual, friendships, and family. Reading the novel Disability Visibility gave some insight on relationships in the disability community but it’s worth acknowledging that the community can appear family-like as well. S.e. Smith in their chapter titled “The Beauty of Spaces Created for and by Disabled People” reminds us that “Members of many marginalized groups have this shared experiential touchstone, this sense of unexpected and vivid belonging and an ardent desire to be able to pass this experience along.” (Smith 272). Community and all the smaller social circles that make up a community or culture can be an entire topic itself. However, through every piece I got to read I couldn’t help but feel that there is important relationships established or made here to begin with. Smith is right, being a part of the LGBTQ+ community this feeling is an important one. What one example like this tells me is there are quite literal friendships formed in communities as well as more casual ones built on unspoken, mutual understanding. I don’t believe it is an understanding of “We have the same experiences physically” but more so a powerful moment where someone is seeing another’s humanity and granting them emotional safety possibly for the first time.  

 Family can have different associations for everyone. For example, the idea of chosen family over biological is not foreign to me and one that saved me mentally in the long run. What I liked about my learning journey for disability studies so far, is the possibility of this ringing true for some disabled community members as well. Family experiences are going to range for anyone but two stories in particular stuck with me when it came to family. In “When You Are Waiting to Be Healed” June Eric-Udorie discusses how her disability was viewed by her family as they came from a religious background. June says “At home, conversations about my nystagmus were sparse, except when discussed as a thing God would “deliver me” from.” (Udorie 55). What I gathered from this piece was that June might have felt further pressure from family to conform to a new body that was not possible. While I want to make clear these are others’ experiences and not my own, I recognize that from the story there comes greater pain when normalization is encouraged by loved ones. There’s an interesting push and pull. I believe the family did love their daughter but did not show it in the correct way. June already recalls accounts of being confused by messages of religion, I can’t imagine how hard it was when your support system enables part of that even accidentally. From how she chose to end her story, I think one of the strongest relationships she had was with God and realizing she did not need any saving or “delivering” from anything. In contrast, in the short narrative “Imposter Syndrome and Parenting with a Disability” by Jessica Slice the topic relies on how strong her relationship is with her son and understanding motherhood through a lens that is never discussed. When closing on what makes her a good mom and create such a healthy bond with her son, Slice says “I like to imagine that soon he will find comfort in the fact that I’m so often around, steady and patient, ready to listen.” (Slice 132). My favorite part of Slice’s story is the emphasis on her emotional bonding skills with her son. I think many people in the world can be there physically for their kid, I get that closeness is important. Where many parents fall short is losing the emotional tie because they do not actively/reflectively listen. When that kid grows up and becomes an adult it might be even harder to discuss real issues or sensitive thoughts.  

Rhetoric Fueling Disability Studies 

This topic is a challenging one and one I still would like to do more work with. Most people have a certain image or short description ready in their head when they see the word rhetoric. Initially, I did too, and I assumed I was mostly right. While rhetoric may include the traditional persuasive aspects we come to know in essays and political debates, there is so much more to it. A better question then is how does it work within and for disability studies?   

Rhetoric reaches across verbal and written communication as everything can be rhetorical. A way I tend to view it is rhetoric as energies. Everything has rhetorical energy. Rhetorical energy can come from a person or an object in which people interact with. Not only objects, but our environments in general. I believe there is usually a mutual transfer of this energy from rhetor to audience, rhetor to environment or rhetor to object too. Acknowledging that rhetoric exists inside and outside the world of verbal and written forms opens a lot of doors for those who are disabled. When majority of society leans toward one or two forms of communication in specific outlines for each, people are bound to fail. The normalization mentioned previously is apparent here as it creates a binary of passing and failing. In their book Fading Scars: My Queer Disability History O’Toole makes a point in line with this concept of strict rhetoric stating “Not only are disabled students presumed incompetent, but also students who speak English as a second language” (O’Toole 22). I think the way that schools typically have this issue simultaneously displays how people in general ignore the power of rhetoric in our environments. The same way a politician can give a speech on why disability rights and inclusion matter while sharing rhetorical energy with the audience is the same way a set of stairs can with its own “audience.” If a university is all uphill with only stairs and gates that sends a message. It is not intended for people with a disability because the people who designed it gave them no thought. Whether it is implicit or explicit in its expression, there will always be a rhetorical energy found in the things we create or interact with. O’Toole highlights this when they discuss the exclusion of the disabled community in media and history. They write “We are ignored, overlooked, mislabeled, discounted, omitted, and sometimes intentionally not discussed.” (O’Toole 39). The act of saying nothing can hold the most rhetorical power since it says a lot. Not saying anything can cause a world of violence on a small scale like individual cases to a larger scale like dangerous policies being enacted (or taken away for that matter).  

Bodyminds in a Medical-Focused World 

One of my favorite topics in disability studies so far has to be the inclusion of realizing medical-based ideologies often conflict with the people in which the medical community treats. I’ve personally been more invested in psychological healing like therapy more so than learning about biology treatments and the medical field. It shouldn’t come as a surprise that doctors sometimes fail to be there emotionally for a patient or use proper language of inclusion. Of course, they are trained on ethical and moral issues, but that does not mean they make no mistakes. A medical model of disability is aimed at resolution of the body to reach, once again, a standard of normalization. I bring back s.e. Smith into the conversation as they clearly explain the context we choose to frame those with a disability and the spaces we give them to exist. Smith writes “For disabled people, those spaces are often hospitals, group therapy sessions, and other clinical settings.” (Smith 272). How the majority frames any minority actively has long term effects on how they live and usually the quality of life they live. Specific language used in disability communities is not acknowledged by the medical community whatsoever. We rarely see or talk about disability as a cultural experience and the introduction to disability studies is the first time I have viewed it as such. O’Toole claims “That information is rarely known by nondisabled medical professionals, who are almost always disconnected from the broader disability communities.” (O’Toole 17). The burden of change rests not solely on the medical community but on all of us. When someone is exposed to disability circles, real social settings for their community their quality of life is changed because for once they do not have to justify their existence. I think it is up to everyone outside of disability circles and communities to recognize that different bodyminds are not left for doctors to discuss. The conversation does not start and end in medical settings.  

Work Cited: 

Adams, R., Serlin, D., & Serlin, D. (2015). Keywords for Disability Studies (Keywords). Chapter author: Tim Dean. “Queer”. New York: NYU Press. 

Disability Visibility: First-Person Stories From The Twenty-First Century, edited by Alice Wong, Vintage, June30th, 2020.  

O’Toole, Corbett Joan.  “Celebrating Crip Bodyminds”, Fading Scars: My Queer Disability History, 1st ed., Autonomous Press, June 9th, 2015. 

Furthering Conversations: A Review of “Disability Visibility”

“Disbability Visibility” is a compilation of essays and short-stories from the 21st Century written by people with disabilities. Compiled by editor Alice Wong, the essays and short stories feature narrative glimpses of the lives of each author, from childhoods to relationships, from careers to activism, each story has follows the thread of disability into the intersections of everyday life. “Disability Visibility” is an anthology written both for the people who have never felt seen, and for people who want to expand their horizons and understand the complexity of our human nature. It is a chance for the authors to amplify their voices, their impassioned words giving insight into our perceptions and the reality of just how every experience is unique. It is a chance for the reader to grow in empathy and understanding towards your neighbor, and a must read for those who want to explore disability and intersectionality from a lived-experience perspective.

Authors like Shoshana Kessok, who walk the reader through the complexities of the medical system and the misguidance of bipolar disorder, help readers to get a glimpse of the fallacies of healthcare. But Kessok doesn’t leave the reader with the complications of getting your medications adjusted and the never ending appointments. Rather, they acknowledge that once you receive the help you need, your life can stabilize, and reaching out for help is always better than suffering alone. They talk about the interweaving of mental illness with creativity and how so many people feel that real artists have to suffer (mentally, physically, emotionally etc.). Kessok says, “I read books about people theorizing about the connection between mental illness and creativity and I shake my head. I don’t need to know the connection, because if there is one, it doesn’t matter to me. I take my medicine and work my craft at the same time because I don’t need to suffer as an artist” (Kessok, 187). Stories like these battle against society’s preconceived notions and reveal the truth about mental illness, while also serving as cautionary tales of putting too much truth into stereotypes.

Each story is unique, as unique as the author who crafted them, and stories about feeling different are not uncommon. June Eric-Udorie speaks about how having nystagmus made her feel broken, always praying for healing that would never come. In “When You Are Waiting to Be Healed”, she acknowledges the desire to be without disability and the sometimes confusing choice one can make when coming to terms with the identity of “disabled”. But she also acknowledges the joy of understanding yourself. “I come to church happy in the body I exist in; I come to church knowing that I am not a mistake waiting to be fixed,” June says (Eric-Udorie, 58). June gives the reader an understanding of growth and healing beyond definition, providing concepts that may fight with the reader’s previous conceived notions of healing.

This anthology is a series of love letters to the understanding of yourself, a celebration of difference, and a reconciliation between the past and the present. It proves that there is no predetermined way of living, that there is a freedom in expression and value in being in relationship with others who share a thread of understanding. “Disability Visibility” works around the reader’s biases, scraping away the force-fed egregious narratives fed to us by society and replacing it with bubbles of the lived experience of people with disabilities through all aspects of life. Ariel Henley, whose essay titled, “There’s a Mathematical Equation That Proves I’m Ugly”, which redefines our understanding of beauty, sums up the artistry found in each essay with a beautiful quote about her experience. “But art isn’t necessarily about beauty. Art is supposed to make you feel something, and I began to realize my appearance was my art. My body, my face, my scars told a story- *my* story” (Henley, 46).

A compendium of innovation, beauty, and wholeness, “Disability Visibility” is a quick read, offering readers a chance to see themselves and to see the lived experiences of people with disabilities. This book shows readers how empathy is the answer, and how we get there is by viewing each and every person, just as they are, seeing the value in all of our varied experiences. 5/5