Vice did an article on the new exhibit at the Guggenheim – here’s an excerpt:
“Storylines uses the late 1990s and 2000s as a point of departure. It was a time when young artists started turning away from abstraction as a form of realizing the complications of identity. These artists, like Matthew Barney, Zanele Muholi, and Ryan McGinley, who are all a part of the show, sought to inject themselves and notions of identity that they believed in into their work.”
