Sol LeWitt’s Drawing Series in the Dia:Beacon blew me away at how meticulous and simple they were. His use of graphite and colored graphite blew me away with his use of line work and angles. I felt like I was taken back to my third year high school’s geometry class. I found his simple instructions of “ten thousand straight lines, and ten thousand not straight lines” to be quite humorous. While the description seems simple as that, each of his wall drawings were fully thought out before hand, which he compared to “musical scores.” Everything thought out in the mind of LeWitt was translated onto the wall, as precise as its original conception. I also liked that there were codes for each wall as well, to help the viewer understand the final drawings on the walls. I saw these codes as formulas for the final products.