Here’s the weekly ambient playlist tracks! Playlist is every Sunday from 10 AM – 7 PM for the next couple weeks, I added a few more songs that weren’t there last week – enjoy! (୨୧•͈ᴗ•͈)◞ᵗʱᵃᵑᵏઽ*♡
-N7♬
Aero Deck, Oval, Systemisch, 1996
Up the Flagpole, CEP, Drawing the Target Around the Arrow 2017
Forgive, Burial, Self-titled, 2006
Tape Hiss Orchid, Deerhunter, Cryptograms, 2007
Trade Winds, White Heat, Tim Hecker, Radio Amor, 2003
VGS, Natasha Karkoski, 2020
Secret Soda Machine, Blithe Field, Face Always Towards the Sun, 2016
Hi Friends! To celebrate the last week of the exhibition, here’s a post from a few weeks ago, when we started this show. Thanks for listening. New stuff coming tomorrow!
April 7th, 2023
76Cascades is a little something new made at workshop I lead back in March at Jack Straw Cultural Center in Seattle. I had the great pleasure of working with some talented folks ranging in age and ability. We sonified some data taken from tree rings across the Cascade Range. Our data set, or our song started around year 1776 and the numbers came up with a pretty spooky cool chord progression. The rest is just me jamming with folks, 5, 6, 14 and 16 years old! This is certainly just a rough mix. More to come including a new work made in collaboration with Whatcom Middle School Students. Listen for it!
Let’s Party!
A special playlist today, starting at 10AM we replayed Ambient Mondaze. You can find the tracks in post 4.3.23.
Please enjoy. Thanks for listening! Sasha
All tomorrow’s parties, Velvet Underground, feat. Nico, 1966
I don’t have the data, Sonic Antartica, Andrea Polli, 2009
Cricket Voice, Hildegard Westerkamp, 1996
76Cascades, Sasha Petrenko w/Jack Straw Cultural Center, 2023
Construction sound recording, Professor Ashley Mask and students, 2022
Lessons from the Forest, Part 3, Sasha Petrenko, 2019
CRUSH, Ryan Lien, 2023
I’ll Call You Back! Claire Kaveney, 2023
SoundPoem, Max Marsh, 2023
Sachsenhausen Music in the Void by Taran Wilkewitz, 2022
sound project version 1, Aiko Enomoto, 2022
The Pacific Banana Slug, Tilly Bishop, 2022
Bats in East Finchley, Ryan Fisher, 2022
Summer rain in midnightsun, Elin Mar Oyen Vistor, 2021
What a week! Spring keeps sneaking up and darting off just when we get the nerve to go outside. Winter is losing her grip and pretty soon the hammocks will be out! To celebrate the new growth that spring is sure to bring, we’re doing something NEW!
Tonight, 5 – 7PM, we’ll be coming to you live from Fairhaven College! All you need to do is just LISTEN. Here are the stats:
Artists RYAN! Feddersen & T’uy’t’tanat-Cease Wyss
present and discuss their respective public,
participatory, and traditional practices that intervene in
settler-colonial spaces and memory within entangled
yet distinct territories, Nation-States, First Nations, and
communities of the Salish Sea.
Hosted by the Center for Canadian-American Studies,
Department of Art and Art History, and Fairhaven
College of Interdisciplinary Studies, on the traditional
and ancestral territories of the Nooksack Tribe and
Lummi Nation.
Wednesday April 19
5:00-7:00pm
Artist’s Panel
Fairhaven Auditorium FA 300
All fantastic artists and scholars. The discussion is sure to be dynamic and inspiring!
Until then, we’ll be broadcasting our usual mix of ambient and experimental tunes, mostly made by students of Western and students of the World.
Notes, Beverlee Winant, 2023
Cricket Voice, Hildegard Westerkamp, 1996
Internal Drawing Process, Brandon Manikoth, 2023
Planet Caravan, Tuluum Shimmering, 2021
6.15AM, Talked to God, 2021
Beneath the Forest Floor, Hildegard Westerkamp, 1996
Nooksack River Moments, Emma Toscani, 2021
The Pacific Banana Slug, Tilly Bishop, 2022
Future Song, Sasha Petrenko, 2023
Black Sun, Sasha Petrenko, 2016
76Cascades, Sasha Petrenko and Jack Straw Cultural Center, 2023
Antarctica (part 1), Gill de la tourette
In my head, Kelsi Nosal, 2023
SoundPoem, Max Marsh, 2022
Never Gonna Sleep, Free Kitten, 1997
Great Northern, 34428, Olivia Block, 2019
CRUSH, Ryan Lien, 2023
Axiolite, Olivia Block, 2019
Countdown, Andrea Polli, 2009
Ebb and flow through seaweed, Elin Mar Oyen Vister, 2022
Karoysundet early spring morning, Elin Mar Oyen Vister, 2022
Excited to announce that we’ll be streaming live for the first time to broadcast this exciting event above! Come in person or tune in to sound.out.radio in the LISTEN tab.
We are here again. And it’s Monday. Today promises to be different from yesterday, a little more blue sky and maybe some sunshine. Let us ease into the work week with some contemplative tunes.
No Boundaries, Sonic Antarctica, Andrea Polli
Sound project version 1, Aiko Enomoto, 2022
Nooksack River Moments, Emma Toscani, 2021
6.15AM, talked to god, 2021
Planet Caravan, Tuluum Shimmering, 2020
Demo Track One, Evox, 2007
Black Sun, sasha petrenko, 2016
Antarctica, Part 1, Gilles de la Tourette, 2007
A memory blown out, Madeline Cocolas, 2021
Great Northern, Olivia Block, 2019
Sachenhausen Music in the Void, Taran Wilkowitz, 2022
76Cascades, sasha petrenko and Jack Straw Cultural Center, 2023
Tuesday is for gratitude. When the week feels too long ahead, I need to check in with myself to let it all sink in. Though the skies are still grey, the earth is warming. Can you smell the soil? The blossoms? A double rainbow last night reminded those lucky to be outside that it pays to make yourself vulnerable to the natural elements. There we can be closer to our truer selves. Maybe.
Some new old tracks from Western students, Emma Toscani and Taylor Hall from way back in winter 22, Art 280, along with favorites by Aiko Enomoto and Gabe R., and more! Plus something great from the profound Hildegard Westerkamp, and some newer tunes from Madeline Cocolas. Just ethereal, dark and throbbing. Like spring in the PNW. How lucky we are to have this privilege to gather and listen. In gratitude, Sasha P.
Walking in a spiral toward the house, side D, Nivhek, 2019
A memory, blown out, Madeline Cocolas, 2022
Great Northern 34428, Olivia Block, 2019
76Cascades, Sasha Petrenko and Jack Straw Cultural Center, 2023
Nooksack River Moments 1, Emma Toscani, 2022
6:15 AM, TALKED TO GOD (Taylor Hall), 2022
Black Sun, Sasha Petrenko, 2016
Beneath the Forest Floor, Hildegard Westerkamp, 1996
Black Capped Chickadee Sound Poem, Gabe Rubanowitz, 2022
Music for Animals Spot KNKX, 2023
Sachenhausen Music in the Void, Taran Wilkewitz, 2022
Construction Recording, Professor Ashley Mask and students, 2022
Today is Monday, and how are we feeling? Like the weekend wasn’t long enough! So let’s ease into it with some slowed down tunes, another great ambient conversation track from artist Andrea Polli, a menagerie of sounds from Western sound artists, students of life I say! A spot from KNKX on our popular program Music for Animals, a few numbers from myself, Sasha P. in collaboration, as usual.
By the end of the playlist today, I hope you are tuned up and tuned in. Lots more to come!
Chocolate Rain, slowed down 1250%, Tay Zonday, Chris Barret, 2023
Music for Animals, KNKX interview, 2022
I don’t have the Data, Andrea Polli, 2009
Future Song, Sasha Petrenko, 2023
CRUSH, Ryan Lien, 2022
Black Capped Chickadee Sound Poem, Gabe Rubinowitz, 2022
Black Sun, Sasha Petrenko, 2026
Internal Drawing Process, Brandon Manikhoth, 2022
Sound Dream, Janet Carter, 2022
In My Head, Kelsi Nosal, 2022
Sound of Peace, Hanah Sasse, 2022
Industry vs Nature, Alexa Wate, 2022
Sachenhausen Music in the Void, Taran Wilkewitz, 2022
76Cascades, Sasha Petrenko and Jack Straw Cultural Center, 2023
It’s a slow Saturday. I’m stretching this one out, starting with an ambient track, slowed down 1620%! After that a collection of favorites to keep you listening. Mostly student sounds today, sprinkled with some new and old tracks from Sasha P. , and the amazing Andrea Polli. Art Crush!
Feel free to reach out with your comments or suggestions. @sashpetrenko
Friday, Rebecca Black (slowed down 1620%), Chris Barrett, 2023
76Cascades is a little something new made at workshop I lead back in March at Jack Straw Cultural Center in Seattle. I had the great pleasure of working with some talented folks ranging in age and ability. We sonified some data taken from tree rings across the Cascade Range. Our data set, or our song started around year 1776 and the numbers came up with a pretty spooky cool chord progression. The rest is just me jamming with folks, 5, 6, 14 and 16 years old! This is certainly just a rough mix. More to come including a new work made in collaboration with Whatcom Middle School Students. Listen for it!
Let’s Party!
A special playlist today, starting at 10AM we replayed Ambient Mondaze. You can find the tracks in post 4.3.23.
Starting at 4:45 we’ll be playing a special set of hand selected tracks. Please enjoy. Thanks for listening! Sasha
All tomorrow’s parties, Velvet Underground, feat. Nico, 1966
I don’t have the data, Sonic Antartica, Andrea Polli, 2009
Cricket Voice, Hildegard Westerkamp, 1996
76Cascades, Sasha Petrenko w/Jack Straw Cultural Center, 2023
Construction sound recording, Professor Ashley Mask and students, 2022
Lessons from the Forest, Part 3, Sasha Petrenko, 2019
CRUSH, Ryan Lien, 2023
I’ll Call You Back! Claire Kaveney, 2023
SoundPoem, Max Marsh, 2023
Sachsenhausen Music in the Void by Taran Wilkewitz, 2022
sound project version 1, Aiko Enomoto, 2022
The Pacific Banana Slug, Tilly Bishop, 2022
Bats in East Finchley, Ryan Fisher, 2022
Summer rain in midnightsun, Elin Mar Oyen Vistor, 2021
Hi Friends! To celebrate the last week of the exhibition, here’s a post from a few weeks ago, when we started this show. Thanks for listening. New stuff coming tomorrow!
Tuesday is for gratitude. When the week feels too long ahead, I need to check in with myself to let it all sink in. Though the skies are still grey, the earth is warming. Can you smell the soil? The blossoms? A double rainbow last night reminded those lucky to be outside that it pays to make yourself vulnerable to the natural elements. There we can be closer to our truer selves. Maybe.