Jane Wong

A new poem by Professor Jane Wong “This is What Survival Looks Like” appeared in The Yale Review: https://yalereview.yale.edu/what-survival-looks

Jane’s second book of poems, How to Not Be Afraid of Everything, is out this October, 2021 from Alice James. Here is a link to the Publishers Weekly review:

Her poem “I Put On a Fur Coat” was chosen and read by musician Audrey Nuna for The New York Times: 
 
 
 
In 2022, Jane and Diana Khoi Nguyen will collaborate on a poetry installation at Harvard University, as the recipients of the 2021-2022 Woodberry Poetry Room Fellowship:
 

Ning Yu

Ning Yu’s  book on a critical genre which criticizes poems in the form of poetry was published 09/2020 by Beijing Normal University Press.  It is a critical evaluation of a modern poet’s poems written to criticizes 25 poets in Chinese literary history, somewhat like a combination of Alexader Pope’s “Essay On Criticism” and Samuel Johnson’s “Lives of the English Poets.”  It is a commissioned book. The title, roughly translated, is Interpretation and Remembrance: An Analysis of Professor Chigong’s 25 Critical Poems

Robert Huff

Former poet laureate of Washington state and English Department alumnus Sam Green remembers faculty member Robert Huff, who passed away in 1993, and honors a new collection of his poetry, Taking Her Sides on Immortality, published by Good Deed Rain.

“Bob Huff was a key teacher for me during my time at Western. I realize this seems, at one level, ancient history, but the lasting impact of teachers is important, I think, and I’ve kept a soft place for Bob all these years. When he died, I knew that he had an unpublished manuscript of poems that hadn’t found a publisher, but could never find out what happened to it. All these years I hadn’t lost interest. Finally a copy of the manuscript surfaced in the files of his daughter, Ursula, last year, and Allen Frost (who works in the library at WWU) has done yeoman’s work in putting together a nice edition.”

Huff was a member of the department for 25 years, from 1964 to 1989, and Green remembers that “a lot of students benefited from his work as a teacher. Though I know that people often choose to remember the gossipy stuff about his drinking, he was a dedicated, serious, no-nonsense man when it came to his poetry. He took no shortcuts. That attitude came through to me, and has served me well in my own life as a writer.”

For more on Huff, see Allen Frost’s article from 2013 in Poetry Northwest.

Jane Wong

In the spring of 2019, Jane Wong was honored by receiving the Womxn of Color Empowerment Award at WWU. Her first solo art exhibition, “After Preparing the Altar, the Ghosts Feast Feverishly,” ran from June-September 2019 at the Frye Art Museum, and was featured on Hyperallergic. Also during the summer, she was an artist-in-residence via the Jentel Foundation, SAFTA, and Sarabande Books. Recent poems and essays have appeared in The Best American Nonrequired Reading 2019, The World I Leave You: Asian American Poets on Faith and Spirit, Apogee, The Common, Shenandoah, POETRY, Orion, The Yale Review, and othersHer second book, How to Not Be Afraid of Everything from Alice James is forthcoming next year. And she’s busy working on a third book of poems and a collection of essays. This past fall, she was thrilled to have a poem alongside a former WWU student of hers, Tessie Monique (Class of 2018), in The Lantern Review.

Brenda Miller

Brenda Miller and Suzanne Paola revised their highly popular textbook Tell it Slant: Creating, Refining and Publishing Creative Nonfiction for a 3rd edition, published by McGraw-Hill in August 2019. In the past year, Brenda’s essays and poems appeared in such venues as Fusion, Bellevue Literary Review, Tupelo Quarterly, Cincinnati Review, The Georgia Review, and The Writer’s Chronicle. Her book of collaborative essays, written with MA Alum Julie Marie Wade, called Telephone: Essays in Two Voices, received the Cleveland Poetry Center Award for an Essay Collection, chosen by Hanif Abdurraqib, in 2019, and it will be published by Cleveland State University Press in 2021. She also has forthcoming a collection of her “writing on writing,” called A Braided Heart: Essays on Writing and Form, with University of Michigan Press in 2021. Her website is www.brendamillerwriter.com

Suzanne Paola

Suzanne Paola has had three books accepted for publication this year: one, The Devil’s Castle (nonfiction), is in the writing stage and appearing in 2022 from Counterpoint Press. Two are finished and in the publication process— Entangled Objects: A Novel in Quantum Parts (Slant Books, fiction) and The Terrible Unlikelihood of Our Being Here (OSU 21st Century Essay series, nonfiction)— both appearing in 2021. She has published poetry in the South Carolina Review and essays in Signal Mountain Review, the UK Independent, and the New York Times. Additionally, she has published the critical article “Speculative Nonfiction” in the AWP Chronicle and contributed a chapter, “The Truth in Schreber’s Delusions,” to the scholarly work The Futures of Neurodiversity, forthcoming from Modern Language Association Books.

Christopher Wise

Christopher Wise (along with Kristiana Kahakauwila) ran the Senegal Program for the second year, bringing 15 WWU English majors to Dakar, Saint Louis, and Saly, where they studied West African literature and culture. Wise, Kahakauwila, and Suzanne Paola co-edited a special international issue of The Bellingham Review featuring West Africa writers. The special issue is entitled “Scribes, Griots, and Poets: New Writing From West Africa,” including Wise’s translations of excerpts from the Tuareg poet Hawad’s poem ‘In The Net’ and the Senegalese author Boris Boubacar Diop’s short story “Night of the Imoko.” Wise also participated in a panel discussion in Djilor, Senegal at the Foundation Léopold Sédar Senghor, entitled “Léopold Sédar Senghor et la poésie de la négritude” (February 10, 2020). Since the coronavirus struck, he has been stuck at home recording lectures for his classes on deconstruction and animal metamorphosis. These lectures are available for public viewing on his YouTube channel, “Christopher Wise.”

Carol Guess

Carol Guess’s short story collection Girl Zoo was nominated for the 2019 Big Other Book Award for Fiction. Co-written with Aimee Parkison, Girl Zoo depicts a dystopian landscape where girls and women exist only in confinement and under surveillance. Currently collaborating with Rochelle Hurt on a persona poetry manuscript, she has new work forthcoming in Hotel Amerika, Journal of Compressed Creative Arts, Juked, Superstition Review, and Western Humanities Review. Her collaboration with Suzanne Paola, speculative fiction titled “The Desk,” will appear in Tupelo Quarterly. Guess is a member of Fiction Collective Two and will be the judge of the 2020 Utah Original Writing Competition for Short Fiction.