Another In A Minute: I Don’t Know Why

  • Tittle: I Can Have Another You In A Minute

    Sub: A comic for space, music, and bad hand drawing lovers

    By: Ruth Ewald

  • S1E3: I Don't Know Why

  •        Ry: Captain, why weren’t you at the Thriller party?

                  Jones: I don’t know, extra work to do. I worked till I saw the sun… then it was too late.

  • Doc: It’s not the same without the captain.

                  Jones: I didn’t feel comfortable.

  • Flashback

    Doc (in a flirty voice): Hey captain, about the Thriller party…

    Want to come with me and Ry?

     

  • present

    Doc: I wasn’t.

    Jones: Good.     (sigh) I don’t know why I didn’t come.

     

  • Jones: I left you by the house of fun. Sorry I abandoned you. The whole crew for some minor work. I don’t know why I didn’t come.

  • Jones: Computer log. I don’t know why…

Some words in this episode from the song I Don’t Know Why by Norah Jones in the album Come Away With Me.

Another In A Minute: There’s A Land

Note: on some slides you may have to scroll down a bit to read all the dialogue.

  • Tittle: I Can Have Another You In A Minute

    Sub: A comic for space, music, and bad hand drawing lovers

    By: Ruth Ewald

  • S1E2: There's A Land

  • Narrator: The crew plays a bored game. The captain comes in.                                     Costa: Do you want to play?                                                                                                         Jones: Only if I can be supper awkward.

     

                    

  •  Costa: Captain, I want to go on a spiritual journey.                                                                        Jones: Ha.                                                                                                       Costa: seriously.                                                                                                                            Jones: OK 

  • Later.

    Narrator: In the shuttle.

    computer: warning! anomaly alert. warning! high ship shakege.                                     Costa: But a little divide, but a little sea, there's a land…

  •  planetary resident: Welcome to Paradise, human!                                                                             Costa: You're awaiting me?

  • Later.

    Narrator: Adam was prying when he met Foa'i.                                                                             Nat: I'm Foa'i Nat, Vulcan. It's a trap.                                                               Costa: Let's escape together.

  • Later.

    Nat to Jones: I'm staying Here.

Some words in the episode are from the song There’s a Land By Adam Guettel in the album Myths and Hymns

Another In a Minute: Seven Years

I Can Have Another You In A Minute

S1E1

  • Title: I Can Have Another You In A Minute

    Sub: A comic for Space, Music, and Bad hand drawings

    By:Ruth Ewald

  • S1E1

    Title: Seven Years

  • Narrator: Captain's on a mission, she won't succeed.


  • Narrator: She finds a pod!

    There's a life form

  • Narrator: She brings it back!

  • Brownstine: She's a little girl.

    Jones: What's with her…?

    Brownstine: I'll look into it.

  • Brownsine: My report: Girl with nothing wrong!

    Jones: And she's all alone. What to do with her?


  • Narrator: The crew unanimously (that's the word) agrees to keep her.

    Jones: But who will raise her?

    Simon: I have an ensign who would like to raise a kid.

OK I listened to the song twice to time my draw/writing time. I think in the next episode I will not put the dialogue and narrations in the picture, and only underneath.

Continue reading Another In a Minute: Seven Years

I Can Have A COMIC In A Minute

Want a comic that makes lots of references to music? Is Hand Drawn? Is a parody of Star Trek? Well it’s coming!

It’s called “I Can Have Another You In a Minute”. The title is in reference to Beyonce’s Irreplaceable and that I draw the episodes in a few minutes. Why do I draw it so quickly? Each episode has the name of a song as it’s name. I will draw out the final version of the episode in the time that the song plays.

In the plot the characters will also say some of the lines in the song.

And it’s set in space.

What I’m saying is don’t expect well done art. That’s not the point of this comic.

Episodes 1 and 2

Pt. 4 of DISCO, series. Contains spoilers. I am up to date, though breakdowns for episodes 1- 9 only use information from those episodes. Part 1, Part 2, Part 3.

Ok, so the episode breakdowns start. I’m doing episodes 1 and 2 together because they are so similar in story line and have the same characters.

So who are the characters in these episodes?

Captain Philippa Georgiou and Michael Burnham. Two human characters, both main characters, in these episodes.  Michael Burnham continues to be a main character and the Klingons will also continue to appear.

While I believe different spices in the federation represent different aspects of humanity, when considering the diversity and inclusion I’m only considering characters who are human or serve on human ships because I know where human characters fit into social hierarchy. Characters of other species will have separate posts, to analyze social structures of the species. As such I will not give discussion to the Klingon characters.

Anyway, back to measuring up episodes 1 and 2. These episodes have two characters, that’s minus 2 points. But both are woman of color plus main characters, so add 8 points, 4 from each character. -2+8=6 points. These episodes have excellent inclusion and centering. Easily passes. And I don’t find it overkill, I love it.

What else do I like about these episodes? A lot.

The captain is able to listen to Michael Burnham, which I see as very positive. In our society women, and people of color aren’t listened to. The me too movement is big right now, and some women have been able to speak out and be believed, but most of the women who are speaking out are wealthy white women.  As a country(the USA), as in this show, generally the only people who listen to women of color are other woman of color. In future episodes who will listen to Michael Burnham? While it’s good to watch a show that follows the story about a smart, competent woman of color, and a character who must navigate cultures, is good, I have to ask will other characters listen to what she has to say and will we?

I like how these episodes give hope that someday Michael Burnham could be captain. Captain Philippa Georgiou sees that she has flaws, but believes that one day she will get to the captains’ chair. Unfortunately, Michael Burnham is harshly punished for helping start a war and disobeying orders. Her harsh punishment is out of line compared to other Star Trek series, which is maybe a good way in which this show pushes itself? That’s a topic for another post.

What don’t I like?

Captain Philippa Georgiou is first character to die. While this is a surprising move considering how few characters die overall in Star Trek, her death is not terribly surprising. The show couldn’t have two colored women in charge of a spaceship…

If two colored women where in charge of a spaceship that would be awesome, but considering racism and sexism are still prevalent in society, that’s not going to happen, especially on a sic-fi.

I loved these two episodes. Unfortunately, though I enjoyed the rest of the episodes, I will have harsher criticisms, just so you know. If you enjoyed these episode breakdowns, keep reading, I think the rest will be similar in analysis level.

Continue reading Episodes 1 and 2

A Journey Through Beta’s Mysterious Basement

Rumer has it there’s a sauna under one of Westerns dorms. I lived there. It’s real. Let’s take a look.

Here is the entrance.

Wait no. Not that mysteririous gray door.

The other one around the corrner. We’ll go back to that one, later.

I’ll just use my specil key to open the door. Hear we are. Awwwwwwww. It’s so bright!

That’s better. Two shower stalls.

A bathroom, with another gray door. I wonder where that goes?

A trap door

And the sauna.

On the wall there are names and meseges. This one’s my favioret. NO DIVING.

OK, let’s go back to the first mysterious gray door.

It’s bike storege

and lots of pipes

and more mysteriuos gray doors. What’s behind them? Matenece. Really not likely much of a mystery. But we can’t go there, I don’t have the keys.


one of three gray doors in the bike room

Want Some other rules?

Pt. 3.5 of DISCO, series

OK, literally just some more info for fun. This post isn’t really part of the series.

These cool rules to check out, similar to the Bechdel, though not inspiration for me.

Deggen’s for race, The Russo Test for LGBT, Tyrion Test for disability, The Representation Test for fighting stereotypes about females, males, race, disability, LGBT. Use it if you want, it’s fairly similar to mine, thought doesn’t take the number of characters into account, along with being a little simpler. And Roxane Gay made a list find it here.

A New Rule To Rule Them All

Pt. 3 of DISCO, series

As I examine how good the show is, how well it meets my expectations, it is extremely use full to hold it up to a ruler—to use a test. The Bechdel Test is a great start, but it’s just a start. It fails to examine all the diversity, incision and centering I expect in a modern TV show.

Before explaining what my ruler is, let me explain some terms and abbreviations.

ATP– all the power. A character who is male, white, strait, cis, non-disabled, and what mid-20’s to mid-50’s? IDK what the “ideal” age range is exactly.

Diverse aspect— an aspect of a character that provides much needed diversity to shows. If a character is wildly outside of the norm age range, is a person of color, is queer, is female, has a disability, or and has a mental illness.

Tokenism— This is when a character is a walking talking stereotype. The character who is included just so the creators can say the show is diverse. The black guy who is the only person of color in a movie filled with white guys. Yeah, he’s only there so the movie is “diverse”.

Show—I use this word as an umbrella term for a movie, a TV show, a play, even a book… any form of story telling with, for my rule, human or humanoid characters who represent humanity. A story about an alien race living on a planet with social structures, that is an imagination or examination of a dystopian, utopian or realistic human society is referred to as a show.

Character—when I write the word character, I mean a character who talks, has flaws, and is key to the plot. A figure who walks on screen and works at work station is not a character. A security guard who shoots a few shots and then dies is not a character. A person who talks and gives advice to a main character and never appears again is not a character. In TOS these are Kirk, Spock, Bones, Uhura, Chekov, Sulu, Scotty, and later nurse Chapel

 Main character– is a character who talks and appears on screen at a high frequency as well as being key to the plot.  A main character is also classified as a character. In TOS these are Kirk, Spock, and Bones.

Frequent character-is a character that talks less, appears only for a few seconds (or possibly a minute or 2) per episode at most and is usually not essential to the plot. Who is a main character and who is a frequent character can change by episode, though tends not to. For example, if a frequent character is featured in an episode, that character becomes a main character for that episode. In TOS these usually are Uhura, Chekov, Sulu, Scotty, nurse Chapel.

Red shirt— is a character who appears in one episode and usually dies before the end of the episode. The term comes from original series’ very minor characters who wore red uniforms, and though Scotty had a red uniform, he is not a red shirt, dew to him not dying, having a name, lines, flaws, and plot importance.

All right. We got enough terms to get started. What you’ve been waiting for my new rule- dubbed the Ewald ruler-after its creator—me!

Here’s how it works: a show is rewarded one negative point for each character, and it gains points for including diverse aspects. Each diverse aspect of a character gains the show one point. If the character with a diverse aspect is a main character, then the show gets one extra point for the character. For example, Michael Burnham from Star Trek: Discovery gives her show 4 points: one for being a person of color, another for being a main character AND a person of color, one for being a woman, and another for being a main character AND a woman. In order to “pass”, show should gain back at least half its points. A character with a disability? Add a point! That character is also a person of color? Now we’re at 2 points! A show with 10 characters should aim for about -5 points. 0 points is better. Positive might be overkill. It might be excellent.

However, when a show has a token character, the show does not earn a point. Glee, for example, doesn’t earn many points because a lot of the characters are token characters. This exemplifies how diversity does not often equal inclusion.

Notes:

  1. To be clear, this rule doesn’t ask for shows to represent the population of the USA, nor does it in any way prohibit white characters or even APT’s. I’m just asking for inclusion of diverse characters in shows. It’s a simple rule to measure diversity and inclusion, and I’ll be using it in future posts to measure up DISCO, episode by episode!
  2. Only diverse aspects gain points for this rule! See definition.
  3. I don’t mean for this to be absolute, like a “meet it and the show passes, don’t and there is only failure.” There are good reasons a show might not reach half the points lost. It is only probably extra awesome to reach 0 or exceed it, but it might be overkill to reach or exceed 0, even without token characters.

Continue reading A New Rule To Rule Them All

Star Trek Discovery Has Huge Shortfalls

Pt. 1 of DISCO series. Contains spoilers.

DISCO is a series of posts, containing my commentary on Star Trek: Discovery. The first few are general notes, then I have episode breakdowns.

DIS. What an awful abbreviation. No, that’s not the reason I’m criticizing the show. I’m criticizing it because I like it. I’m a huge Trekky. And I want to push it to be the best show it can be. When I heard there was a new Star Trek show coming I was so excited, finally a new progressive show, pushing 2017’s boundaries for TV. I had high standards, I expected it to throw off the tropes and stereotypes I’m tired of, and include and put at the center of the story cool, full, diverse people.

Then I heard that the show was going to focused on one character. Uh-oh, I thought. Its going to be a white guy, cis, strait, able, smart, strong… and still have flaws, areas to grow, and interesting. Luckily, my fears where lessened by the previews.

And now it’s hear. I can and will, now judge the show for myself. I liked it. I like Michael Burnham. She is an awesome character. I love, love, love the first two episodes. Just what I would expect from good story telling. I like how the story throws out suggested cannon facts it needs to. A female captain before Kirk? Oh-yeah. But it also has huge downfalls. The biggest of which is the killing of female people of color. I have others, which I will discuss in future posts.  But this is the biggest and most hurtful mistake for the show to make because it devalues the lives of woman of color. Other federation (good guy/main) characters die, but the other characters don’t have names, lines, personalities and don’t even appear in two episodes. Captain Philippa Georgiou and chief of security Ellen Landry are the only main characters to die (as of 2017), are both woman of color. This shows the creations don’t care about the lives of woman of color.

A sample of my other criticisms: the show also continues to interduce men. Why is two or three female characters enough? Why can’t there be more than one woman of color?

Keep reading to Discover a new rule to measure up TV shows and movies!