“The Wreck of the Premier”

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The Premier, a passenger steamer, after its deadly collision with the collier ship Willamette. Image courtesy of Wright, E.W., ed., Lewis & Dryden Marine History of the Pacific Northwest, Lewis & Dryden Printing Co., Portland, OR 1895


Ella Higginson’s poem “The
Wreck of the Premier” recounts the October 8, 1892 collision of the
collier ship the Willamette and the passenger steamer the Premier
on Puget Sound that resulted in six deaths and many more injuries. Ella
Higginson, who escaped unharmed, was on the Premier heading south to
Seattle when the vessel reportedly entered a thick fog near Port Townsend. The Willamette
was carrying 2,400 tons of coal at the time, and the Premier roughly 70
passengers. Shortly after the Premier departed from Port Townsend, where
it docked briefly for passenger boarding, they were struck on their portside by
the bow of the Willamette across from Bush Point. The Willamette
impaled the Premier’s pilot house, dining room, smoking room, saloon,
and the sleeping quarters of the crew.
Captain C. K. Hansen of the Willamette
realized after the collision that if he were to put his vessel in reverse and
pry them apart, the Premier would immediately flood due to its gouged
portside and sink in the middle of the channel. The passengers were then
instructed to gather the dead and wounded as best they could and transport them
from the nearly-destroyed Premier to the Willamette. Captain
Hansen then plowed across the channel, driving the Premier through the
water, and beached her on Bush Point. A tugboat called the Goliah,
hauling a vessel north, passed by a little while later and was flagged down by
the Willamette. The Goliah abandoned its task and instead loaded
the passengers and raced to Seattle, where the wounded were admitted to
Providence Hospital. 
In a letter to The Dalles
Daily Chronicle
of Oregon, Ella Higginson recounts her experience:

The best description of the
disaster which we have seen was written by Ella Higginson. She says that all
her life she has had a desire to be in an accident, preferably a water
accident, because the waves always curl up so soft and caressing that it seemed
to her it would be a good place to lie down beneath them and rest. “Well,
I have had my desire, and I am bound to confess that when I stood on the guard
of the Premier with the whole side of a bedstead in one hand, a pillow, yes a
feather pillow, in the other, my cloak under my arm, and a life-preserver
around my waist, and realized that in a moment I might be struggling with those
same waves for my life, there was nothing soft or caressing in their
appearance. I was flung on the floor several feet from my chair, and men, women
and pieces of furniture were swept violently past me. I heard groans and moans
of anguish, and low murmers of prayer, but not one scream. Not for an instance
did I lose my presence of mind.”
However, in attempting to find
a life-preserver for herself, she was met with unexpected difficulty,
particularly from the other male passengers:

I ran to four different
staterooms to get a life-preserver, but every door was locked. Then I ran out
on the rear guard, and I found men climbing down from the upper deck, and up
from the lower. They all swarmed around me, and all shouted at once, ‘Now
madam, keep cool! Don’t get excited!’ In two seconds I realized that the
flutter of a petticoat had the effect on every man of jerking his mouth open
and forcing out the words: ‘Keep cool! Don’t get excited!’ Exasperated, I
exclaimed: ‘I am cool! But in the meantime, we may as well be thinking of
life-preservers. We needn’t be too cool for that!’ ‘Life preservers!’ wildly
ejaculated a man. ‘Why, madam, we are on Puget sound! A boat can’t sink on
Puget sound!’
Even in that awful moment I was struck with the grim humor of his reply. What
an advertisement for Puget sound! Then a lady with a solemnity that puts me
into convulsions of mirth now whenever I think of it: ‘Young man, don’t you
tell us that if it ain’t so!’
Frustrated with the gendered
chaos on board, Higginson concluded her letter by mounting her soap box and
calling for reform:

I
want to lift up my voice for better laws concerning life-preservers. I want
them out in plain sight, easy of access―I don’t want them under berths in
staterooms with the doors locked, I want them labeled. They may not be pretty
ornaments for finely furnished cabins, but let me tell you, Mr. Law-Makers,
that after you have been in a shipwreck, they will be beautiful in your own
eyes under any and every circumstance. Another thing, make a law that the name
of each passenger shall be taken. The man who jumped overboard is unknown, and
may always be. We don’t want to vote, but take our advice sometimes on a new
law.
Quotes
from “The Premier Collision: A Visit From One of The Survivors—Ella
Higginson’s Account—Some Suggestions.” The Dalles Daily Chronicle.
25 Oct. 1892. 
In her poem “The Wreck of
the Premier,” Higginson only references one specific casualty, that of
thirteen year-old Frank C. Wynkoop of Tacoma, WA who was traveling with
his family. Two places in the poem a mother is referenced, once in the first
stanza with, “One poor mute mother by her dead,” and again in the seventh
stanza with, “The mother stirred, and her pale lips/Prayed now above her dead.”
The mother here is Mrs. D. J. Wynkoop, young Frank Wynkoop’s mother, who Ella
Higginson later recalls having spoken to earlier in the voyage. Frank Wynkoop’s
head was “smashed almost to a pulp” and “Mrs. Ella Higginson, the poetess, of
New Whatcom, assisted in laying out the body of the boy” (“Disaster in
Dense Fog” The Seattle Post Intelligencer. 9 Oct. 1892).


“The Wreck of the Premier” as it appears in Ella Higginson’s When the Birds Go North Again (1898).




“A Fiendish Malediction”

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By Moira Stockton, Research Assistant

Dr. Laura Laffrado has located only one negative review of Ella Higginson’s work since she began the Ella Higginson Recovery Project. However, until recently, Dr. Laffrado was unsure what the review said, as the only reference to it was in a 1935 letter Higginson wrote to Alfred Powers (1887-1983, Oregon author and journalist). The review has now been located though the author of the review remains unknown. The review appeared in The Washington Standard (Olympia, Washington). The subject of the review was Higginson’s poem, “Hate,” which appears in Higginson’s book When the Birds Go North Again (1898). The review, titled “A Fiendish Malediction” and published August 24, 1900, reprints “Hate” and harshly critiques the poem and its author. Transcription below:
 
“Hate” as it appears in Higginson’s When the Birds Go North Again (1898).
 
To those who have attributed to women those gentler instincts which mould the actions of humanity into deeds of kindness and love, the foregoing quotation from a little volume
published by Ella Higginson, of New Whatcom, entitled “When the Birds Go North Again,” gives a rude shock. It causes a chill of horror to run down the spine at the sudden realization of the fact that even the better half of humanity may be as destitute of character as the bloodthirsty savage; assuming of course, that poets always portray their heart-throbs when they take the world into confidence, and that Truth twangs the strings of their empassioned lyres. 
Such hatred as the fair authoress professes is not creditable, and it is not fair to ascribe it to others if not seriously entertained by herself. It is not of heaven nor of earth, and can only find a habitation in the regions of the damned, and be held by those unforgiven and unforgivable creatures, who glory in a hatred so intense that they hope it will last throughout eternity.
 
An [sic] then temerity and irreverence manifested by taking into her defiant confidence One of all others whose nature beams with forgiveness and love; one who came on earth and died to inculcate the doctrine of love, forgiveness and fraternity, peace on earth and goodwill among men. She prays—not in His name surely—that a fellow being, on her own judgement, may be sent to the “deepest
hell,” and that the awful fires may “slowly do their part,” so as to inflict the most exquisite, lasting and horrible torments. This seems so hellish (the proper word, dear reader,) it challenges belief that a human being could have deliberately given expression to such cruel sentiment.
 
It is safe to say that if good old St. Peter ever catches a glimpse of that little poem, Ella will never enter the pearly gates. She will be compelled to finish out such profound hating “to all eternity,” at New Whatcom, or in Hades, for nobody with such a lump in her throat will be allowed to enter the
kingdom of heaven.
The review as it appears in The Washington Standard (August 24, 1900.)

Higginson remembered this critique for decades. In a June 9, 1935 letter to Alfred Powers, she explained the origin of the poem “Hate.” (A full transcription of letter appears at the bottom of this post.)

 
 
Higginson explains that she was inspired to write the poem after seeing actress Fanny Davenport (1850-1898) in her most famous role as the Queen of Egypt in the English translation of French playwright Victorien Sardou’s Cleopatra:
 
Many years ago, in Chicago, I saw Fanny Davenport play “Cleopatra.” There was a scene in which, lying prone upon a couch, she watched through a screen, a love-scene between Antony and Octavia. Her portrayal of a woman consumed with jealousy was so powerful that I was deeply impressed thereby, and the poem formed itself in my mind; and upon my return to my hotel, I made the first
rough draft of it at once. It was first published under the title of “Cleopatra.”
 
It’s unknown exactly when Higginson saw the production during a trip East coast in 1891. Once on tour, the show played at the Columbia Opera House in Chicago December 7-12, 1891, after a run first in New York City and then in Boston. Fanny Davenport produced, directed, and starred in Cleopatra. The production was proclaimed as the theatrical highlight of the year. At a cost of $50,000 (over $1.3 million today), the production had a chorus of over 120 members and used five real snakes in the performances.
 
 
 
Fanny Davenport as Cleopatra, New York City, December 1890.
 
The scene which inspired the poem was Act IV, Scene V. Cleopatra secretly listens to a conversation
between her lover Antony and the young Octavia. In the script, Antony tells Octavia how he prefers her youth and chastity to Cleopatra’s maturity and sexual experience. He compares Cleopatra to a ghost in the night and Octavia to the brilliance of the dawn. The scene leaves Cleopatra “overwhelmed” and “destroyed” and she weeps furiously before exiting the stage.
 
Higginson wrote, “When it was included in my book, a critic advised me to name it ‘Hate,’ because it was the most powerful description of that devastating passion he had ever read.” A draft of the poem kept in the Washington State Archives Bellingham branch contains the original title.
 
 
A draft of “Hate,” courtesy of the Ella Higginson Papers, Center for Pacific Northwest Studies, Heritage Resources, Western Washington University, Bellingham Washington. 

 
If Higginson had retained “Cleopatra” as the title, the reviewer would not have easily confused Higginson herself with the speaker of the poem. At the close of her letter to Powers, Higginson reiterates the ignorance of the reviewer who had assumed that Higginson was writing of herself: “I wrote a ‘murder’ story once, also a ‘murder’ poem, both in the first person; but have not, as yet, been accused of that crime!”
 
🍀
 
 
Full transcription of letter to Alfred Powers by Ella Higginson, 9 June 1935:
 
If you can ever give this publicity, I’ll be grateful. I have never publicly answered a criticism of my work; but I wish now to answer many bitter and ignorant criticisms of one of my poems—”Hate,” in my volume “When the Birds Go North Again.” How any one could read in that poem that it is I speaking is entirely beyond my understanding. Many years ago, in Chicago, I saw Fanny Davenport play “Cleopatra.” There
was a scene in which, lying prone upon a couch, she watched through a screen, a love-scene between Antony and Octavia. Her portrayal of a woman consumed with jealousy was so powerful that I was deeply impressed thereby, and the poem formed itself in my mind; and upon my return to my hotel, I made the
first rough draft of it at once. It was first published under the title of “Cleopatra.” I believe in “foreordination,” and I think it was that which made me keep that first draft, bearing that title—and which has long been in the possession of Edith B. Carhart, head of the Bellingham Public Library.
When it was included in my book, a critic advised me to name it “Hate,” because it was the most powerful description of that devastating passion he had ever read. I wrote a “murder” story once, also a “murder” poem, both in the first person; but have not, as yet, been accused of that crime!

Ella Higginson in the Seattle Times

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By Moira Stockton, Research Assistant

Dr. Laura Laffrado in front of Edens Hall at Western Washington Univeristy, beneath Ella Higginson’s words: “Here is the home of color and of light.” Picture by Mike Siegel for the Seattle Times.
 
 
The Seattle Times has debuted their story on Ella Higginson, detailing the work of Dr. Laura Laffrado, director of the Ella Higginson Recovery Project. In a three-part online debut, journalist Ron Judd brings Ella Higginson’s forgotten fame to public attention by following Laffrado’s Higginson-themed English class at Western Washington University into the Washington State Archives. The article features pictures of students working with artifacts and documents from the Ella Higginson Papers. Aside from educating the public on Ella Higginson, Judd and Laffrado hope to right a wrong by publishing a proper obituary for the gifted poet, something the Times neglected to do when she died in 1940. Higginson wrote a weekly column in the Times for four years titled “Clover Leaves.”
 
“The backstory: the tale of an English professor and a long-forgotten Poet Laureate”
 
“A Western Washington University professor works to ‘recover’ the legacy of Ella Rhoads Higginson”
 
“Belated obituary: Ella Rhoads Higginson, 1862(?)-1940, pioneer author of Pacific Northwest literature”
 
The story comes out in print this Sunday (June 24th) in the Seattle Times Pacific Northwest Magazine.


Bust Publicity at WWU

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By Moira Stockton, Research Assistant



An announcement about the success of the bronze bust campaign debuted today in Western Washington University’s Western Today digital newsletter. In case you missed it, see the picture and transcription below!



“Fundraising Campaign for Bust of PNW Author Ella Higginson a Success”

Western Washington University Professor of English Laura Laffrado has successfully completed her campaign to raise funds for a bronze bust of celebrated Pacific Northwest author, Ella Rhoads Higginson.
At the turn of the 20th century, Higginson was the most influential Pacific Northwest literary writer in the U.S. Among her many honors and awards, she was named the first Poet Laureate of Washington state in 1931.

Laffrado received generous donations from faculty, staff, students, and friends of Western. The bust will be completed and unveiled in the next six to eight months, and located in the Wilson Library Reading Room.
Laffrado is an award-winning author who is most recently the editor of the collection, “Selected Writings of Ella Higginson: Inventing Pacific Northwest Literature.”
For more information, contact Laura Laffrado at (360) 650-2888 or via email at Laura.Laffrado@gmail.com.

Happy Ella Higginson Day!

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That’s right! Ella Higginson has her own day! On May 24, 1916, the Washington State Normal School at Bellingham celebrated our Pacific Northwest poet with a school-wide assembly. The event was reported that evening in The Bellingham Herald:



“This was Ella Higginson day at the State Normal and it was observed in a way that must have brought great pleasure to the gifted authoress. In her honor the students gathered in the auditorium this morning and listened to or took part in a very entertaining program, which consisted of poems and songs which she has written. As Mrs. Higginson entered the auditorium she was cheered and at the close of the exercises all of them filed by and shook her hand. She sat on the stage throughout the hour devoted to the program. Selections of her poems were read by Miss Mason, a student, and Mrs. G.W. Nash sang some of Mrs. Higginson’s songs.”

Happy Ella Higginson Day!

🍀

New Treasure Found!

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Last week, your Ella Higginson Blog editor got a very special package in the mail. A beautiful first edition copy of Ella Higginson’s A Forest Orchid surfaced in California, but this book contained more than just prose. . .

Tucked inside the front cover was a slip of paper, a printed copy of “Yet am I Not for Pity” with writing on the backside.

The note reads: “For dearest Margaret, from her ill, but her very loving and loyal, friend.  E.H.” This is unmistakably Ella Higginson’s handwriting. For another sample here on the blog, see “The Rose” under “Love Poetry,” which feature that poem handwritten out by Higginson.


The identity of Margaret is unknown, though it’s plausible that this is for Mrs. Margaret Sorenson, wife of Bert Sorenson. Bert Sorenson wired one of Ella Higginson’s chandeliers in her home in Bellingham.

A Forest Orchid was printed by the Macmillan in 1897 and contains short stories like “The Lord’s Prayer Drinkin’ Glass,” “Euphemy,” “Belindy’s One Beau,” and “A Passion-Flower of the West.” A second edition was printed in 1902 and there may be more editions yet, but copies of those haven’t been located.

This book is a reminder to keep an eye out for Ella Higginson treasures. You never know what you’ll find and where!


A Bust for Ella Higginson!

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BREAKING NEWS: The campaign for a bronze life-size-and-a-half bust of Ella Higginson started by Western Washington University’s Dr. Laura Laffrado this past November has been a complete success!



Laura Laffrado with a portrait of Ella Higginson in front of WWU’s Edens Hall, on which a line from Ella Higginson’s “College by the Sea” is engraved.





The bust will now begin production and will unveil in ceremonial event come mid-fall. The bust will be placed in the Wilson Library entrance hallway, across from the portrait of the library’s first librarian, Mabel Zoe Wilson. We’ll keep you updated on when the bust will be unveiled when that decision is made in the coming months.



The Wilson Library entrance, near where the bust will be placed.



The Mabel Zoe Wilson Library began construction in 1927, being the first separate library building the State Normal School at Bellingham (now Western Washington University) ever had. Until that time, the library was housed in various rooms and floors (and even in part of the attic) of what is today called Old Main, the only building on campus during the school’s early years. In 1964, this library was named for pioneer librarian Mabel Zoe Wilson, who was the head of the library from 1902 to 1945, an astonishing 43 years of service! Just under two months after the naming, Mabel Zoe Wilson would die at the age of 86.

Ella Higginson and Mabel Zoe Wilson shared a sweet friendship. In 1953, thirteen years after Ella Higginson passed away, Mabel Zoe Wilson donated dozens of letters that Ella Higginson had written to her over several decades to the University of Washington’s Special Collections, all perfectly preserved and even including the envelopes. This correspondence reveals a deep and affectionate bond between these two inspiring women. How fitting it is that a bronze bust of Ella Higginson will be installed in one of her dearest friend’s thriving legacy, the Mabel Zoe Wilson Library.


Mabel Zoe Wilson, WWU’s first librarian.



Dear Zoe Wilson. . .

        This is just to tell you how much I admire you and how much I love you – so I hope you’ll receive it before you turn homeward. I think of you so often and always with the same constant and loyal affection I feel for Olive – you are so different and yet so alike.

        I’m sure you’re having a wonderful summer and I think you might have let me tag! . . . If you go to Venice, think of me every single minute – and love me a little bit, bad as I am.

        Your devoted friend,

                        Ella Higginson

Quoted from a letter written on July 14, 1925 to Mabel Zoe Wilson, who was traveling in Rome that summer.